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Banks argues that the symbol interpreted as "weapon" can be more abstractly referred to the concept of "means", "tool"; China's translation likely results from interacting with the aliens using mahjong , a highly competitive winner-take-all game.
Rogue soldiers plant a bomb in the Montana craft. Unaware, Banks and Donnelly re-enter the alien vessel, and the aliens give them an extremely complex message.
Just before the bomb explodes, one of the aliens ejects Donnelly and Banks from the vessel, knocking them unconscious. When they reawaken, the military is preparing to evacuate in case of retaliation, and the craft has moved out of reach.
Donnelly discovers that the symbol for time is present throughout the message, and that the writing occupies exactly one twelfth of the 3D space in which it is projected.
Banks suggests that the full message is split among the twelve craft, and the aliens want all the nations to share what they learn.
China's General Shang issues an ultimatum to his local alien craft, demanding that it leave China within 24 hours.
Russia, Pakistan and Sudan follow suit. Communications between the international research teams are terminated as worldwide panic sets in.
Banks goes alone to the craft, and it sends down a transport pod. Abbott is dying as a result of the explosion; Costello explains that they have come to help humanity, for in 3, years they will need humanity's help in return.
Banks realises the "weapon" is their language, which changes humans' linear perception of time, allowing them to experience "memories" of future events.
Banks's visions of her daughter, Hannah whose name is a palindrome itself , are revealed to actually be premonitions; her daughter will not be born until some time in the future.
She has a premonition of a United Nations event celebrating newfound unity following the alien arrival, in which Shang thanks her for having convinced him to call off the attack by calling his private number and reciting his wife's dying words: "War doesn't make winners, only widows.
In the present, Banks steals CIA agent Halpern's satellite phone, a rarity when phones have been confiscated on the base, and calls Shang's number to recite the words.
The Chinese announce that they are standing down and release their twelfth piece of the message. The other countries follow suit, and the twelve craft depart.
During the evacuation of the camp, Donnelly expresses his love for Banks. They talk about life choices and whether he would change them if he could see the future.
Banks knows that she will agree to have a child with him despite knowing their fate: that Hannah will die, and Donnelly will leave them after she reveals that she knew this.
Arrival is based on the Nebula-winning science fiction novella, " Story of Your Life " by Ted Chiang , written in As with the film, "Story of Your Life" involves Earth's first communication with heptapods who speak in a cryptic language.
Screenwriter Eric Heisserer had been introduced to the story through another of Chiang's stories, " Understand ", and had begun reading through Chiang's collected works when "Story of Your Life" had a "profound emotional effect" on him.
As a result, he decided to try and adapt the story into a film script as he wanted to share it with a wider audience. Shawn Levy of 21 Laps said they had become aware of "Story of Your Life" around and considered it a powerful work; and when they learned of Heisserer's script adaption, started working closely with him, helping him refine the script before they began seeking a director and distribution studio.
One of the directors that 21 Laps approached was Denis Villeneuve. Villeneuve had wanted to make a science fiction film for some time, although he "never found the right thing".
Heisserer had made several changes from "Story of Your Life" between writing his original screenplays and the final script, the main one being that, the heptapods actually arrived on Earth in a type of first contact situation, as he felt this helped to create the tension and conflict needed for a film.
But after the release of Interstellar in , Heisserer and Villeneuve agreed that this would not work, and decided that the heptapods' gift would be what was "there in front of us … the power of their language".
Amy Adams entered negotiations to star in the film in April ,  and would be confirmed by the time Jeremy Renner joined the film in March Principal photography lasted for 56 days, beginning on June 7, , after Renner had fulfilled his obligations to Captain America: Civil War.
Bradford Young was sought out by Villeneuve as he was looking for a cinematographer with a sensibility towards natural lighting.
I wanted a cinematographer who would not be afraid to deal with intimacy. Young stated "I went for cooler colors when I wanted Amy to feel worn down.
We tried to pull back on that a little bit, but then Denis stopped me in the [color timing] and told me not to be so concerned about skin tone and let her be pasty, let her exist in that melancholy space, let us feel that visually.
Additionally, Young looked towards the book Speedway by photographer Martina Hoogland Ivanow as a reference for the look of the film.
Production designer Patrice Vermette discussed the film in a February interview with Popular Mechanics , stating that a big influence on the look of the film was the works of artist James Turrell , particularly the design of the meeting room aboard the alien craft.
That big screen was always there in the script, and I used it as an element to unite Louise's world. For me, that big screen is more than a screen—that room, which they called in the script 'the interview room,' is a classroom.
That big white screen, [you see it] represented in Louise's house with the big window. You also see it in her school, in her classroom. Rodeo FX completed 60 visual shots for the film, and stated that the biggest challenge for them was the sequence in which Louise and Ian first enter the alien craft.
Both the book and the screenwriting required the invention of a form of alien linguistics which recurs in the plot.
The film uses a script designed by the artist Martine Bertrand wife of the production designer Patrice Vermette , based on scriptwriter Heisserer's original concept.
Computer scientists Stephen and Christopher Wolfram analyzed it to provide the basis for Banks's work in the film.
Lisa Travis was consulted for set design during the construction of the scientist's workplaces. Jessica Coon , a Canada Research Chair in Syntax and Indigenous Languages, was consulted for her linguistics expertise during review of the script.
He developed one of the main themes in the first week using vocals and experimental piano loops. Max Richter 's pre-existing piece " On the Nature of Daylight " is featured in the film's opening and closing scenes.
A teaser trailer was released in August , followed the next week by the first official trailer. The inaccuracy angered Hong Kong social media users.
The posters were withdrawn and a statement attributed the inaccuracy to a third-party vendor. The website's critical consensus reads, " Arrival delivers a must-see experience for fans of thinking person's sci-fi that anchors its heady themes with genuinely affecting emotion and a terrific performance from Amy Adams.
Robbie Collin of The Telegraph praised the film, calling it: "introspective, philosophical and existentially inclined—yet [it] unfolds in an unwavering tenor of chest-tightening excitement.
And there is a mid-film revelation—less a sudden twist than sleek unwinding of everything you think you know—that feels, when it hits you, like your seat is tipping back.
For the most part, it succeeds. Conversely, Forrest Wickman of Slate had a more mixed opinion of the film, praising the cinematography and musical score, but stating that he thought it was similar to Christopher Nolan 's "only intermittently stellar" Interstellar , and criticising the dialogue as "clunky".
The Guardian rated it as the third-best film of David Adger , a linguist professor who teaches at Queen Mary University of London had a favourable view of the accuracy of the linguistics in Arrival , saying that "the portrayal of trying different hypotheses about the language, coming up with generalizations, and testing them out was spot on.
Similarly, Jessica Coon , a linguistic professor who teaches at McGill University and helped with the films linguistics stated that "what the film gets exactly right is both the interactive nature but also that you really have to start small.
Linguistics professor Betty Birner , who teaches at Northern Illinois University , said that the film's use of the Sapir—Whorf hypothesis went "beyond anything that is plausible".
She also felt the film oversimplified the process of translating the aliens' language, skipping straight from Banks establishing the basic vocabulary of the language, to her being able to understand abstract concepts such as "weapon".
Scholar Luca Zanchi has compared the collapsing of time and causality in the storyline to the state of enlightenment and the powers of the bodhisattvic mind as described in Mahayana Buddhism.
In the Avatamsaka Sutra , these spiritual attainments include cognition unbound by time and space. Arrival received numerous awards and nominations.
From Wikipedia, the free encyclopedia. Theatrical release poster. Main article: List of accolades received by Arrival.
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